Madonna and Child.  Painting by Silvia Salvadori based on a work by Duccio di Buoninsegna. Hand-painted medieval Sienese painting on a pure gold background. Gilded panel and frame using the ancient technique of gilding with gouache on 24 carat pure gold leaf. Original technique from the Sienese school of Duccio di Buoninsegna. Study of early medieval Tuscan painting. Pigments taken from the Manual of Art, Cennino Cennini. Manetti Battiloro Florence pure gold. Burin engraving as per original. Reproduction sienese art painting.  21 x 16 cm Reproduction art Duccio di Buoninsegna Tempera and gold leaf 24 k On Sienese Middle Ages

Face of Madonna. Art reproduction by Sano di Pietro. Sienese painting executed using the same painting techniques as the medieval Tuscan school. Sano di Pietro's reinterpretation of medieval painting. Author's copy by Silvia Salvadori. Tempera on 24-carat gold ground engraved with burin on antique wooden panel.  Medieval art Siena. Reproduction of Sienese art, Siena art painting.   20 x 18 cm Silvia Salvadori Tempera and gold On Sienese Middle Ages

Biccherna of 'Wisdom emanating from God'.  Reproduction of Sienese art from Sano di Pietro. Medieval Tuscan art.  Sienese Biccherne. Biccherna tablets.  Sienese art   35 x 41 cm Sold - request on commission Archivio di Stato di Siena Tempera du fondo oro zecchino 24 K Reproduction of Sienese art from Sano di Pietro. Medieval Tuscan art.  Sienese Biccherne. Biccherna tablets.  Sienese art On Sienese Middle Ages

Madonna with Child. Art reproduction from Sano di Pietro performed with the pictorial techniques of the Sienese school of the early Renaissance. Hand painted of the Madonna of Sano di Pietro. Icon hand painted on an antique wooden board and gilded with pure gold engraved with a burin. The pigments are the same used in medieval Sienese painting. 30 x 40 cm Venduta Madonna with Child. Art reproduction from Sano di Pietro. Silvia Salvadori Tempera and gold On

Triptych Madonna and Child Enthroned and Saints on a gold background.

 

St. Agnes and Saint Donatus Bishop of Arezzo. 

 

Painting by Silvia Salvadori in the Duccio style. Original painting technique of the Sienese school. 

 

The triptych is also painted on the back and has a beautiful faux marble finish.

 

Triptychs or travel triptychs were often made in the Middle Ages on a pure gold background and painted using the technique of the Sienese school of painting.

 

This small triptych is distinguished by the details on it that are executed with extreme precision. Each decoration on the pure gold has been executed by burin, and the burins are the same as those used in the technique of the Sienese panel icons and by Duccio di Buoninsegna in Siena.

 

The pure gold is a 23 karat spread with gouache and finely engraved with a burin. The technique used is the same as that employed by Duccio di Buoninsegna and Simone Martini.

 

The drape covering the throne of the Virgin Mary is finely interwoven with thin sheets of gold to form a sumptuous golden brocade.

 

The Triptych is a unique piece from Silvia Salvadori's collection. 

Silvia Salvadori Tempera and gold background On Sienese Middle Ages

Icon of Saint Michael Archangel made using the ancient painting techniques of the Sienese school of the 14th century.

Egg yolk tempera on a 23 carat pure gold background.

 

The icon is embellished with an elegant relief frame made entirely by hand by master Silvia Salvadori and gilded in pure gold.

 

The entire composition recalls the beautiful Sienese gold backgrounds of Simone Martini's school.

 

In this small icon on a gold background of Saint Michael Archangel we find the workmanship of the gold background finely engraved with a burin and the use of the same bright colours as the Sienese icons of Duccio di Buoninsegna and Simone Martini.

 

This small icon on a gold background is a unique piece. 

      Silvia Salvadori Tempera and Gold on wood On Sienese Middle Ages

Icon Virgin Mary .Blue Madonna portrait icon. Detail of the face Virgin Mary. Painted by Silvia Salvadori. Egg tempera painting on pure gold 23karat. Ancient wooden board. Traditional medieval tuscan technique. Tuscany medieval art. Engraving on pure gold and insertion of precious stones.   15 x 15 cm Italian gold ground painting By Silvia Salvadori Egg tempera and Gold On Sienese Middle Ages

Icona Madonna con bambino Dipinto a mano a tempera al tuorlo d'uovo su fondo oro zecchino 23 carati.  Incisioni a bulino su oro. Tavola in pioppo antica. Utilizzo della tecnica pittorica originale della scuola senese del del XIII sec. Arte medievale.  Pittura medievale toscana. Dipinto di Silvia Salvadori 35 x 23 cm Silvia Salvadori Tempera al tuorlo d'uovo su fondo oro zecchino On Sienese Middle Ages

Icona della Madonna su fondo oro. Riproduzione d’Arte di Silvia Salvadori.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 9 x 8 cm Small icon. Face of Madonna. Duccio di Buoninsegna style. Painting by Silvia Salvadori. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. Study of the face of a Madonna in the Duccesco style. Tempera and pure gold on an ancient table. "Thought". Silvia Salvadori paintings from the Sienese school in the Duccio di Buoninsegna style. Tempera and pure gold on wood Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. Small icon. Face of Madonna. Duccio di Buoninsegna style. Painting by Silvia Salvadori. Study of the face of a Madonna in the Duccesco style. Tempera and pure gold on an ancient table. "Thought". Silvia Salvadori paintings from the Sienese school. Off Sienese Middle Ages

Temptation of Christ on the mount of Duccio di Buoninsegna. Author's copy of Silvia Salvadori.

Sacred icon made with tempera and gold leaf on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 31,5 x 30,5 cm Painting made by Silvia Salvadori. Icon of Christ, art reproduction by Duccio di Buoninsegna. Sienese painting. Predella: Temptation of Christ on the mountain. Stories of Christ, "Jesus casts out Satan". Predella della Maestà, Siena. Icon, tempera on a pure gold background, gold engravings, antique table. Duccio di Buoninsegna in the fourteenth century represents the second and third temptations of Christ in two tablets of the predella della Maestà di Siena; in the second we see Christ and the devil, who orders him to throw himself into the void, facing a loggia of a building; in the other Christ is on a mountain which dominates an urban landscape and with his arm he pushes the devil away while the angels on his right are ready to help him. Here Duccio di Buoninsegna wants to show the devil in his original essence of rebel angel and in the fifteenth century also Lorenzo Ghiberti takes up this compositional theme in a door of the baptistery of Florence, depicting the devil with bird's legs and bat wings. From this moment on, the devil tends to lose the monstrosity of previous centuries and appears with human features. Frick Collection, New York Tempera on a pure gold background, antique table Christ icon. Reproduction of art by Duccio di Buoninsegna performed with the same pictorial techniques of the Sienese school, Sienese painting: Tempera on a pure gold background, antique table. Off Sienese Middle Ages

Icon of Saint Catherine of Alexandria. Art reproduction by Silvia Salvadori.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 25 x 30 cm Saint Catherine of Alexandria. Reinterpretation of the painting by Duccio di Buoninsegna. Painting by Silvia Salvadori. Icon painted in tempera and pure gold on an ancient table according to the ancient recipes of the Sienese school (Cennino Cennini, Book of art). Detail of the icon of Santa Caterina della Maestà by Duccio di Buoninsegna, Reinterpretation of a detail painted by Duccio di Buoninsegna. Tempera and pure gold engraved on wood. Reproduction of the original painting by Duccio di Buoninsegna Original technique used in the 14th century: Tempera and pure gold leaf on an ancient table Detail of red brocade with floral motif finely engraved on pure gold Off Sienese Middle Ages

Saint Catherine of Alexandria by Simone Martini. Author's copy by Silvia Salvadori.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 25 x 45 cm Saint Catherine of Alexandria by Silvia Salvadori. Holy gold tempera icon. Work taken from: Simone Martini, 14th century. Technique: tempera and pure gold on wood. Reproduction of art of Saint Catherine of Alexandria, Simone Martini (copyright copy by Silvia Salvadori). Painted in the same pictorial style as Simone Martini. Painting of refined beauty and quality painted by Silvia Salvadori and performed with the same artistic know-how of the school of Simone Martini using the same pictorial techniques of the Sienese school. Sienese painting gold background icon. The original painting by Simone Martini once belonging to a polyptych made for a church in Orvieto. The icon of Saint Catherine of Alexandria is currently kept in the National Gallery of Canada, Ottawa. This Saint Catherine of Alexandria stands out for its extreme elegance, fragility and courtesy, highlighted by the hairstyle and the shape of the crown, as well as the gesture - further amplified here - of making a flap of the dress fall on the left arm. Although deprived of the most usual attributes, the book and the wheel, the young saint can only be recognized in Saint Catherine of Alexandria, by virtue of the precious clothes, the crowned head, the palm of martyrdom and the hilt of the sword that it brought about death. Ottawa, National Gallery of Canada Tempera and pure gold on an ancient poplar table Faithful reproduction of Saint Catherine of Alexandria. Sienese painting gold background icon. Off Sienese Middle Ages