Madonna of the humility. Art reproduction by Silvia Salvadori.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 32 x 43 cm Reproduction of Art by Silvia Salvadori. Sienese school painting. Icon of the Madonna and Child painted with the original technique of the Sienese school of tempera and pure gold painting on old wood according to the ancient recipes of the Sienese school - painting by Silvia Salvadori. Giovanni di Paolo (Siena c. 1400 - 1482), Italian painter and miniaturist, one of the most important artists of the 15th century Sienese school. In Giovanni di Paolo's early works, the influence of previous Sienese masters such as Pietro Lorenzetti is noted, but his mature style became more and more personal, characterized by strong, clean colors and elongated shapes. The late Gothic polyptychs of Giovanni di Paolo, suggest an almost surreal atmosphere, the human figures, very expressive and defined by clear contour signs, are painted in geometric landscapes enriched with small scenes by Giovanni di Paolo's works, among which the Madonna of Humility (c. 1445) and the Last Judgment (1460-1465), also by Giovanni di Paolo. Reproduction of art, sacred icon - Sienese school. Sienese school painting. National Picture Gallery, Siena Tempera and pure gold on poplar wood Faithful reproduction of the original table. Icon of the Madonna and Child (reference artist: Giovanni di Paolo). Sacred icon. Off Renaissance

Art reproduction of the Infant Jesus by Sano di Pietro.

Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 15 x 15 cm Baby Jesus Work drawn from Sano di Pietro. Reproduction of Art by Silvia Salvadori. Egg yolk tempera on a 23k pure gold background, Sienese school. Off Sienese Renaissance

Round Icon of Virgin Mary with Child. Work drawn from Sano di Pietro (Siena, 1405 – 1481).

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. Reproduction art medieval siena 21 cm diameter

Study of the Virgin with the Child. Reinterpretation of the decor in pure gold.

The elements that distinguish this work are the rich decoration made of gold, coupled with a wonderful mastery in repainting the faces. In the interior halo, we notice a superb decoration, even more highlighted by a very fine granite on gold made of agate stone tip. The face of the Virgin was painted with a brush tip. Brushes are delicate and soft enough to make the skin of the Virgin Mary almost true. The baby's robes are all embroidered on gold, while the blue mantle of Mary is finished with an elegant decoration engraved on gold (the inside rim of Mary's dress). This work can be considered a real gem, where the color blends on gold and intertwines along the elaborate texture to create wonderful light games. Silvia Salvadori Tempera on Gold Leaf 23k. Engraved bunches and agate stone. Ancient Table. Off Sienese Renaissance

Icon of Saint Mary Magdalene. Art reproduction by Silvia Salvadori drawn from Sano di Pietro. Study of Sano di Pietro's painting.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 10 x 20 cm In this work, Silvia Salvadori tried to cure in every detail the figure of Mary Magdalene, giving her extreme elegance and lightness to her hair. There is a great naturalistic yield and a wise use of color, always shimmering and full of vibrant light in the palette of Silvia Salvadori. The alabaster blanket with well-drawn veins has been painted with few and sharp brush strokes, creating an effect of desired transparency.  The kingship of the Virgin Magdalene is made even more evident by the fine ermine fur that falls along the garment of a light purple. Even in this work Silvia Salvadori wanted to resume in the delicate tones of the face all the grace and beauty of the brushstroke of Simone Martini. Refined and elegant is finally the long band consisting of a geometric golden weave placed at the closure of the mantle. History: Sano di Pietro, was active since 1428 and was artistically trained at Sassetta. Sano di Pietro was one of the most important 400th Sienese painters. One of the first works of Sano di Pietro was the "Coronation of the Virgin" painted in about 1440 in Siena. In 1444 painted two tables depicting "St. Bernardin preaching in Siena »and« St. Bernardin preaching in St. Francis Square, "both kept in the main room in the Cathedral of Siena.  The two works of remarkable charm and beauty, arouse interest in many archaeologists and historians. Sano di Pietro left us a huge production, preserved largely in Siena and in the province. His best works are characterized by a great sophistication of design, color and a wise use of gold and gold decoration. These works reveal the gentle religiosity of Sano, devoid of sentimentality and still a daughter of austerity throughout the thirteenth century. Tempera and gold jewelery on an antique table, engraved on gold. Work performed with the ancient pictorial techniques of the 15th century Sienese school. Tempera and gold on wood. Off Sienese Renaissance

Icon of the Announcing Angel painted by Silvia Salvadori. Study of the pictorial style of Spinello Aretino and reinterpretation.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 25 x 30 cm In this work, the teacher Silvia Salvadori wanted to give more emphasis to the shimmering colors typical of Spinello Aretino's painting and at the same time ingenine the features of the angel's face with the typical trait of Simone Martini's hand. The angel's wings are also special. For example, in the original painting by Spinello Aretino angel wings are made heavy and static, while Silvia Salvadori added numerous light games. All the set is made with more naturalism and up to transform each feather into a true feather.  The painting is extremely elegant and even more enriched by the meticulous decorations made on the agate and punch stone. The decoration was further enriched by applying precious stones (rock crystal gems and blue sapphire) on the gold floral decorations. Very elegant is the pink and purple dress, also enriched by subtle glossy golden accents with the original "scratch" technique on gold. A bit of history: Spinello of Spinelli Spinelli, commonly known as Spinello Aretino (Capolona (Arezzo), 1350 - March 14, 1410) was an Italian painter, one of the most active in Tuscany in the second half of the fourteenth century. His family was originally from Capolona. “His father called Luca, a refined goldsmith, moved to Arezzo where Spinello grew "... so inclined by nature to being a painter, who almost without a teacher, being still a child, knew what many practiced, under the discipline of the best masters, do not know "(Giorgio Vasari). His training took place in Arezzo, where he learned from painter Andrea di Nerio. Painting by Silvia Salvadori Egg Tempera on a gold base 23k from the 15th century Sienese school Gold ornaments and agate stone with application of precious stones. Antique wooden table. Off Sienese Renaissance

Round of the Madonna and Child with Gold by Sano di Pietro. Reproduction art of Silvia Salvadori.

Painting made with tempera and pure gold on wood. Work performed with the ancient painting techniques of the Sienese school of the fifteenth century. Medieval Siena sacred art painting.  25 x 25 cm Icon is made in small round shape and is drawn from Sano di Pietro, Sienese artist of the First Renaissance. This Tondo depicts a Virgin Mary with Child and Gold. The child holds tenderly in hand the gold, symbol of the Passion of Jesus Christ.  In this beautiful icon, Silvia Salvadori perfectly recreates every detail present in the original table painted by Sano di Pietro. The gold is depicted with great realism, wings are defined with extreme precision, as well as every detail of the decoration, faces and incarnations, all painted with a subtle tip of brush, veil for veil, color on color. Holy with Child by Silvia Salvadori. Tempera and gold on table 23 k. Antique table. Art reproduction drawn from Sano di Pietro (Siena, 1405 - 1481). On Sienese Renaissance

Little icon of Santa Dorotea.  Work drawn from Sano di Pietro, Sienese painter of the Early Renaissance.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 10 x 18 cm Icon depicting Santa Dorotea holding a delicate bouquet of flowers in the folds of his dress. In this work Silvia Salvadori recreates the fine and delicate brushstrokes characteristic of Sano di Pietro's painting.  The incarnate is epidermal and consists of infinite shades. Its soft robe is composed of several shades of harmoniously fused colors (blue - purple, light blue).  Notice the accuracy and precision of running individual details (hair and veins). The eyes of Santa Dorotea, with great emotional expressiveness, capturing the viewer's eyesight. Painting by Silvia Salvadori Egg yolk tempera on background of gold engraving 23. k Engraving on bobbin. Antique table. Off Sienese Renaissance

Icon of the Madonna and Child. Reproduction of Art by Silvia Salvadori.

Sacred icon made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 60 x 35 cm Enthroned Madonna with Child by Silvia Salvadori. Work drawn from: Sano di Pietro, XV century. Technique: tempera and gold on wood. Madonna and Child, sacred icon, Sienese art, pure gold background. Tecnina: tempera and pure gold. Holy Madonna with Child icon. Painted with the same artistic know-how as the Sienese school, unique author painting. Hand-painted icon in tempera on a pure gold background entirely engraved in a burin (ancient table) according to the ancient pictorial recipes in use since the 13th century in Tuscany. Painted on a gold background. Paintings made through the use of ancient painting techniques. Each work is painted on ancient wooden supports. High quality pigments are used for painting. The gilding is done by means of thin pure gold foils. The decorative motifs of the haloes and frames are entirely made by using special tools for goldsmiths. Sano di Pietro, Siena. Tempera and pure gold on an ancient table Reproduction of art by Sano di Pietro, Siena, Sienese art, pure gold background. Madonna and Child, Icon of the Madonna. Off Sienese Renaissance

Madonna and Child by Sano di Pietro. Author's copy by Silvia Salvadori.

Sacred icon made with tempera and gold leaf on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 26 x 35 cm Madonna and Child Icon, Reinterpretation and reconstruction of a painting by Sano di Pietro (painting by Silvia Salvadori), Medieval art - "Madonna and Child". Sacred icon of the Madonna and Child hand painted by Sano di Pietro. Technique of the Sienese school of painting. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. Table painted in tempera and pure gold. Painted with the same artistic know-how as the Sienese school, unique author painting. Hand-painted icon in tempera on a pure gold background entirely engraved in a burin (ancient table) according to the ancient pictorial recipes in use since the 13th century in Tuscany. Painted on a gold background. Paintings made through the use of ancient painting techniques. Each work is painted on ancient wooden supports. High quality pigments are used for painting. The gilding is done by means of thin pure gold foils. The decorative motifs of the haloes and frames are entirely made by using special tools for goldsmiths. Art Museum - Boston - Madonna and Child. Tempera and pure gold leaf on wood. Art reproductions performed with the same ancient painting techniques. Egg tempera and pure gold on an old wooden board. Reproduction of sacred icons with ancient techniques: gouache gilding and egg yolk tempera, browning with agate stone, following the ancient recipes of the Cennino Cennini. Art reproductions of the major Italian artists of the fourteenth and fifteenth centuries. Simone Martini, Pietro Lorenzetti, Duccio di Buoninsegna, Cimabue, Giotto, Spinello Aretino, Piero della Francesca. Off Sienese Renaissance

Biccherna by Sano di Pietro. Author's copy by Silvia Salvadori.

Artistic reproduction made with tempera and pure gold on wood. Work performed with the ancient pictorial techniques of the Sienese school of the fifteenth century. 54 x 38 cm Painting by Silvia Salvadori. Biccherna, Noble Wedding. Painted in tempera and pure gold on an ancient table according to the ancient recipes of the Sienese school. Decorations engraved on gold. Biccherna from Sano di Pietro depicting a scene of 'noble wedding' of Sienese nobles. The chronicles of the time tell of the opulence of this marriage, for which "the Municipality of Siena gave the bride a basin, a mug and a silver cup, worth over one hundred ducats". The scene refers to a specific moment of the wedding ceremony: the gift of the ring. Biccherna identical to the original Biccherna preserved in the State Archives of Siena. Biccherna - Art Reproduction from Sano di Pietro. State Archive of Siena Tempera and pure gold (decorated and engraved) on a poplar table. Biccherna - Art Reproduction from Sano di Pietro. Off Sienese Renaissance